My hotel essay quotes.
In lieu of an abstract, here is a brief excerpt of the content: Modernism, Narrative and Humanism. Modernism, Narrative and Humanism is a brilliant study that sheds considerable light on the antihumanist and counterhumanist tendencies [End Page ] in literature, philosophy, and critical theory over the past years.
Central to this book is what Sheehan refers to as the anthropometric turn to in western culture, which he broadly defines as "the taking of the measure of the 'human'" x.
For Sheehan, there was in the mid-nineteenth century "a turn away from the human as a given towards the human as a problem" Given Schopenhauer's philosophy of a primordial will as the determinate force of all being and Darwin's scientific dethroning of nature's most godlike creature, the "human" has been alternately reduced to an inhuman machine or an inhuman animal.
In either case, something inhuman not only controls but also props up "human" identity. Significantly, for Sheehan, Darwin's and Schopenhauer's discoveries radically impacted narrative.
More than anything else, what enables humans to define and to "consolidate their humanness" is narrative 10for narrative "is human-shaped" 9created by humans in order to measure and mold the "human.
However, built into narrative is an inhuman "potential to exceed the limits of anthropological mastery" 10a potential that ultimately dehumanizes what is human by reducing it to a machine-like being bound by mechanistic laws of necessity and inevitability. In this view, instead of humans using narrative to assert and secure mastery over the world and the human, narrative ultimately asserts and secures an inhuman mastery over the world and primarily the human.
This dilemma—the human desire to establish humanity's humanness through narrative and narrative's propensity to dehumanize the human—is the central issue facing modernist writers like Joseph Conrad, D. Both the general claims and the individual analyses in this book are exceptional—Sheehan is an astute scholar, a lucid writer, and a provocative intellectual.
And yet, despite the brilliance of this book, there are still reasons to have reservations about his interpretation of modernism.
In this study, Schopenhauer's metaphysical Will embodies the mechanistic inhuman that ultimately renders the "human" "an excrescence" According to this interpretation, Nietzsche, Conrad, Lawrence, and Beckett, who were all familiar with Schopenhauer's work, adopted the German pessimist's "mechanistic will" philosophy, which transforms "human glory into inhuman horror" But, while it is clear that Schopenhauer directly influenced these prominent modernist writers, it is not entirely clear that they considered the will an ontological reality or a metaphysical entity, as did Schopenhauer.
In fact, later Nietzsche unambiguously denies the existence of metaphysics and the will. Furthermore, there [End Page ] is evidence in Conrad's, Lawrence's, Woolf's, and Beckett's writings that they too considered metaphysics the seething product of an overheated imagination rather than a legitimate tool for analyzing human beings.
Therefore, while Sheehan is certainly right to say that the anthropometric turn effectively exposed the absurdity of "human megalomania" 7it does not necessarily follow that the modernists, following Schopenhauer, ontologized either the inhuman or the will.
And yet, despite my reservations about Sheehan's interpretation of If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.
You are not currently authenticated. View freely available titles:Essay about An Analysis of No Mans Land and Gallipoli - In the world during the 19th century many wars marked history, people chose to die for their country and their religion.
The two movies chosen were "No Man's Land" and "Gallipoli." The first movie was "No Man's Land" which took place in Bosnia, which was about the Serb-Bosnia conflict. "To be, or not to be" is the opening phrase of a soliloquy spoken by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet.
Rich Man And Lazarus Religion Essay. Print Reference this. Disclaimer: When Lazarus had lain at the rich mans gate, the rich man gave no thought or concern for the possible lame wicked beggar. The Bible teaches us that the righteous and the wicked in the other world will see each other’s state.
In this particular parable, the rich. The technology of movies is a topic we have briefly touched upon in class and on the blogs. A post by Sugar Spice brought to my attention the writings of Laura Mulvey, the film theorist who first came up with the idea of a male gaze in cinema.
After reading her essay “Visual Pleasure and Narrative Cinema”, I began to look at the film industry in a new . The narrative essay makes a point and that point is often defined in the opening sentence, but can also be found as the last sentence in the opening paragraph.
Since a narrative relies on personal experiences, it often is in the form of a story.
Search Results. a Girl's Best Friend Kiyanna Howard Mrs. Dailey English I Honors 17 November, A Girl’s Best Friend After three months dreading by so silently and so monotonously, such a surprise had.